Hurry Down The Chimney Tonight

Fandom: Matt/Kaz
Rating: PG(?) I am bad at ratings
Summary: High School AU, Christmas party shenanigans
Disclaimer: I’ve got no idea how the UK school system works, you guys. Just go with it, please? This is the product of some jet lag and sleep deprivation, so…. 

Prompt: based mostly on one particular image in this photoset, and also on Christine’s prompt that I write something based on my icon.

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oh god there fine are you happy

YOU SHOULD READ THIS ONE FIRST

Because Christine is a terrible, horrible person that sends sad things into my inbox. 

elsinore-rose:

The first thing he says when he sees her is “Are you all right?”

She looks at him. Lying with IVs and monitors hooked up to him and practically barely conscious, dark bruises on the skin she can see, torn lips, bloody gauze wrapped around his head. His eyes are fixed on hers and suddenly out of nowhere she’s crying so hard she can’t speak.

“Are—”

She shakes her head violently, because no, she’s not, and then—she can’t hug him, he has broken ribs, but she gets down by the edge of the bed and holds onto his arm and cries. Her face ends up buried in the bedsheet next to his shoulder. He smells wrong—like hospital. It scares her seeing him like this. She should be relieved right now or something but she’s just so, so scared and her breath is coming in heaving gasps and she wishes he weren’t wearing anything so that she could feel his bare arm under her hand, alive, warm, alive.

There’s a finger in her hair. She looks up. He’s reached his other arm across his chest and is touching the top of her head. His finger trails across her forehead before his arm falls back down.

“‘m glad t’see you,” he mumbles.

Something in her chest that was tight loosens a little bit, and she swallows, and then she sits there with him for a long time. He drifts in and out of the world. She holds his hand.

elsinore-rose:

She doesn’t even feel the car hit them. She lands where he pushes her, and the world just blurs and tips sideways, and the next moment that she can actually pinpoint for certain doesn’t come until after a lifetime of slow sliding into greyscale.

She opens her eyes.

Matt’s face.

Blood.

Then the noise hits her, and it’s sirens and shouts and the rumble of tires on blacktop and a gasping, sucking sound that seems to be coming from somewhere deep inside her chest. Her mouth falls open and vomit heaves out onto the pavement. Something smells like fire.

“Matt.” Her voice feels like…not her voice. “Matt.”

Hands and knees. She notices, as she forces herself to balance on four limbs, that those limbs are bruised and bleeding. In one quiet corner of her mind she realizes she doesn’t know what time it is.

“Matt,” she croaks and staggers forward and he’s lying over the curb a few yards away and not moving, and she crawls, and there are people running up and gathering round her and bending over his body but she won’t look at them. Two hands help her to her feet. Her ankle throbs.

“Matt. Matt, Matt—”

The pavement tears into her bare knees as she falls beside him.

“Hey.” Her hands go to his face. “Hey. You okay? Matt?” His eyes are open but he’s not looking at her. “Matt! Hey, look at me—Matt—”

His head lolls and she feels a pressure building up inside of her lungs, brushes his hair back and frames his face with her hands and leans forward and says “Matt, what’s—Matt—please—please—” It’s ripping from her throat like a question. “Please? Oh god please, please…

If there are other hands on Matt’s body right now, or on hers, trying to separate them, she doesn’t notice, and they don’t seem to be trying very hard. Why aren’t they trying very hard she wants to scream, and god, please, please, Matt, move, MOVE, just fucking move for me will you

She’s trembling all over. Her fingers shake against his skin.

“Please, no, I n—I need—” she tries to say to the paramedic who’s suddenly there, and he gives her room, lets her stay there while he touches and moves Matt and talks to people above his shoulder but that’s not what she meant and all of a sudden she can’t get enough air and she leans over him like Amy once leaned over the Doctor, and she begs, and Matt doesn’t move.

The next thing she sees clearly is a greyish-blue wall and the corner of an orange blanket. It’s draped around her shoulders. Someone with brown hair is daubing antiseptic at her cheek.

“Can I—please—” she starts to ask.

The paramedic looks up at her with sad eyes. Karen rubs her fingers together and lifts her head to look for Matt.

He isn’t there.

Matt/Kaz: bare feet, champagne, and the Beatles.

A long and winding road | Matt/Kaz

It’s midnight in New York City, and they’re celebrating.

“To Kaz!” he proclaims, lifting his champagne-filled hotel mug on high. “Not once tonight did you snort unattractively while laughing! You are to be congratulated!”

She clunks her mug against his, quirking a brow in his direction. “And to Matt,” she says, “you managed to only fall down, what, three times?”

He shoves her in the shin with his toes and she kicks at him, throwing her head back and laughing, hair shining with the lights of the city outside their window. His teasing grin melts into something softer as he watches her, head tipped to one side against the back of the sofa.

She catches his look and makes a face, collapsing against him in helpless giggles at the grimace he gives her in return. His arms come up around her and she sighs, snuggling into his chest.

They spend the evening like that, legs entwined and toes nudging, not-really-watching Across The Universe on pay-per-view. Matt sings along, badly, and Karen pokes him in the ribs until he’s laughing so hard he’s in danger of throwing her onto the floor.

The next morning they wake up there, the pattern of Matt’s sweater imprinted on Karen’s cheek, the sun in Matt’s eyes, and he’s never, ever been happier.

Matt/Kaz, five instances of accidental jondling and one instance of definitely-one-purpose groping.

If you weren’t so wise beyond your years I would have been able to control myself | Matt/Kaz

The first is captured on camera.

“I seduced you!” he crows, watching the footage of her wandering hands play again on the monitors. She’s flushing bright red at this point, hiding behind that stupid green pillow, and he can’t stop grinning.

“You didn’t sedu- ugggh!” she groans, and even with the director sitting right there next to him he can’t help but stare at his insanely gorgeous co-star and think, giddily, We’re on DOCTOR WHO!.

And then he goes right back to mocking her stupid hands. Because really, who talks with them like that?

The second one he ignores.

They’re just messing around on the set of the giant tongue of a space whale (and who would’ve thought he’d ever get to say that, eh?), squishing through the gloop and nasty and occasionally throwing bits of slimy produce at each other. It’s all good fun, right up until she sneaks up behind him and thrusts an entire handful of soggy cabbage leaves down the back of his jacket.

He leaps about, trying to shake the stuff loose, and ends up flat on his back in a puddle of it, ooze slowly trickling down his hairline and into his ear. And she’s laughing at him.

Oh, this will not do. This will not do at all.

He snatches up a particularly foul-looking half-squashed tomato and struggles to his feet, advancing on her in what he hopes is a menacing way. He’s rather aware, though, that he probably looks more like a half-drowned rat than anything else, but it’s the thought that counts. Or something

She starts backing away, waving her hands in front of her and shouting something about not getting it in her hair – oh, he’s not aiming for her hair, and she definitely didn’t say anything about the face…

Unfortunately, before his plan can come to fruition (and yes, he does congratulate himself on that pun later), he manages to slip again and now he’s careening straight for her, arms outstretched. She tries to move out of the way but it’s too late, and they both come crashing down to the tarp.

“Ha! Serves you-” he begins to shout, perfectly fine with claiming this as an intentional victory, when he suddenly realizes where he’s landed.

She is under him, which isn’t so odd considering he basically just rugby-tackled her to the floor. What is not so understandable is this:

Her hands are on his arse.

His hands are on her… *ahem* chest.

Scrambling upright, he scrapes his hands down his slimy trousers as if to rub the sensation right off, and finally offers a hand to help her up when he notices her glare, though he still can’t meet her eyes.

By the time they leave the set for the day, they’re completely disgusting; Matt’s hair is glued to his forehead by slime, and he doesn’t think the prop department is ever going to get Kaz’s dressing gown to be the right color ever again. But they’re smiling, and he gives her one more good-natured shove just to see her stick her tongue out at him before he goes to have the longest shower of his life.

And if he feels tingly, well, it’s probably just one of those additives they’ve put in the slime, right?

The third is entirely Arthur’s fault

He’s dragged them to yet another one of his friends’ parties, claiming that you’ll love this one, just wait till you see who the DJ is.

And yeah, fair enough, it is pretty fun even for just the food; the pillar of Gouda carved to look like the Venus de Milo is pretty fascinating in and of itself, and Kaz had long ago become entranced by the organic chocolate fountain set up in the corner.

But now he’s got a headache from a combination of whatever locally-brewed beer Arthur had told him was best and the pounding of the African drumming quartet that had taken up shop upstairs. He’s pretty sure he can also hear accordions somewhere, which doesn’t help, especially since he can’t figure out where they could possibly be hiding.

Arthur notices his distress before he does something rash, like make a break for it through the cloud of smokers clustered around the back door. “No, no, it’s fun, I just have to get to the thing on the, um, do you know what I’m saying, and yeah it turns out I’m allergic to this drumming or something because I feel itchy. Do you feel itch-”

Arthur cuts him off, for which he is eternally grateful. “It’s fine, Matt. Just go home- I’ll see you on Monday, yeah?”

Matt waves his thanks and escapes, buttoning up his coat against the cold. At least it’s not too far to his apartment.

Suddenly, a shoulder bumps his, and the wind blows ginger hair in his face. He paws it out of the way, laughing when Karen looks flustered. “Where’re you going?” she asks, keeping pace with him.

“It got too… loud in there,” he says, shrugging. “Besides, it looked like you were having a pretty good time with that fountain. I didn’t want to interrupt.” He laughs when she blushes, and she gives him a shove.

“Oh, shut up,” she says. They walk in silence for a while, icy breaths condensing in front of them, shoulders touching.

By the time they reach his street, Matt’s headache is completely gone, and he smiles at her. “See you on Monday, then, right? Or will you have eloped with the fountain by then?” he says.

She rolls her eyes at him. “Yes, by tomorrow evening I will be Mrs. Chocolate Fountain, and you will never hear from me again. I hope you’re devastated.”

“Oh, utterly.”

They separate outside his apartment building, Karen throwing a shouted “I’m expecting a wedding gift from you, mister!” over her shoulder as she walks off.

It’s not until he’s inside that he realizes he’d been holding her hand the entire walk back.

The fourth he laughs off.

It’s pretty easy to do. They’re filming the BBC Christmas trailer and, at her insistence, he and Karen have taken to playing Twister to pass the time between takes.

And so far, it’s been pretty amusing. They’d even gotten the guy in the Cyberman suit to run the spinner, and the crew keeps walking by their area to laugh at them.

So yeah, he can laugh this off. There’s no reason to be so flustered just because he’s twisted up like a pretzel around Karen. Not even if their feet are occupying the same circle, or if she’s stretching around him in such a way that makes him blush to the roots of his hair. Which he isn’t. He doesn’t blush.

“Right hand green.”

Surveying his options, he blanches. He might have to revise his stance on blushing.

The fifth happens in his apartment.

They’re on his couch, marathoning Arrested Development (he’d insisted – she obviously knows nothing about comedy if she’s never watched the Bluths. She disagrees, because watching him fall down on a daily basis is more than enough comedy for her. He hits her with a pillow).

Karen is stretched out beside him, her toes crammed up under his leg for warmth, and he’s draped across the opposite arm of the sofa, holding one arm against his stomach to contain his laughter. He giggles as Buster flails about wildly onscreen.

Karen nudges him with her toes. “Hey, turn it up,” she says.

You turn it up,” he replies, knowing full well that the remote is on the table behind his head.

She glares at him. “Fine! Maybe I will!” And suddenly she’s launching herself across the sofa at him, and his hands go up to protect his face, and when the dust settles he’s got an armful of angry Scotswoman.

Momentarily stunned, one of his hands goes up to cradle her face, and his fingers slip into her hair before he freezes. She stares down at him, and on the TV he hears GOB say I’ve just made a huge mistake.

The sixth time is also the first.

Before GOB can even start formulating an insane plan to set things right, she’s smiling down at him, and his stomach doesn’t know whether to leap into his throat or sink to his toes. He smiles apprehensively back at her, drawing his hand back, ready to play this off as another accident.

But instead she says, tucking her hair behind her ear, “I’ve been wondering when you’d finally notice that I’ve been flirting with you.”

He gapes up her. “Flirting? Since when have you been flir-mmmph” and she’s kissing him (SHE’S KISSING HIM) and it’s glorious and oh god she’s totally been flirting with him for years hasn’t she and this would totally be embarrassing if he had any brain power to devote to thinking about it at all.

And for the rest of the evening, the antics of the Bluth family are forgotten in favor of something much, much more interesting.

31 Oct 21:20
1 year ago
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xoxogigifoxhall replied to your post: The more obscure the animal, the more likely Karen would say “Uncle Arthur collects taxidermy. I’m sure he has one of those animals in his collection.” “What’s taxidermy, mum?” And the story would scare them off.
Indeed. But he’s probably been left out of the family shenanigans so he doesn’t expose past shenanigans about mum and dad to the kiddies, even though he did help provide the music at the weddings (they had a hipster one and a big, family one).

OMG HIPSTER WEDDING. It’s in their favorite underground coffee shop, but they don’t tell anyone beforehand, so it has a more ‘authentic’ feel, and anyway one of the baristas is a registered clergywoman, so it works out. And they throw organic fair-trade coffee beans instead of rice and Arthur’s band Edmund provides the music, except they couldn’t bring instruments and still retain the authenticity so they play the spoons and the upturned coffee mug and the blender. 

31 Oct 3:28
1 year ago
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♥ 54 notes
  

Okay, Bailey and Ester. Forgive me.

elsinore-rose:

eight white russians || matt/kaz

 

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Karen doesn’t have anything to toast him with, so she fistbumps the mug”

OMG, you are actually the best. I love you. And this. 

Also, I have had conversations embarrassingly similar to this: “He still hasn’t let go of her arms. “’m not saying this b’cause I’m dr—well I am saying it b’cause I’m drunk, I mean I’m not thinking it. Because I’m drunk, I mean. I think it a lot.” ”

In short - THIS IS NOT DELIGHTFUL IT IS AMAZEBALLS AND WONDERFUL AND :LASKDJFNKSNVLKJWER